And many more advanced capabilities only offered with Photoshop and 3rd party plugins.This can be used for exposure blending (increased dynamic range), perspective blending (enhanced compositions), focal length blending (to create wide angle images that do not have tiny background subjects), etc. A few simple options or even a 10-zone system quickly become limiting if you cannot further customize them. This means the ability to tweak the masks for precision based on luminosity, color, location in the image, etc. This means layer masks, adjustment layers, and smart objects. The ability to work non-destructively on COMPLEX images.Probably 80% of the luminosity masks I create were painted via luminosity selections. Luminosity selections are the MOST IMPORTANT tool in "luminosity masking", because they can be used to create MUCH more advanced luminosity masks that target specific areas of the image much more effectively than a general "L5" mask, for example. The following features make Photoshop a critical tool for working with luminosity masks: But without Photoshop, you probably will not be able to do everything you need to process your image to its full potential. Luminosity mask support in other applications may serve some very useful purposes for offering a simple way to do simple tasks in those applications. While luminosity masking support can be very valuable in all sorts of applications (RAW conversion, HDR processing, etc), there is no substitute for creating luminosity masks in Photoshop. As a result, the general term "luminosity masking" has become a little confusing because it can mean vastly different things. In other words, luminosity masking is a way of helping Photoshop see the world the same way that you do.Īs luminosity masking has grown in popularity, more software packages are adding basic levels of support. Basically, you can tell Photoshop to make adjustments to just the bright blue pixels in the sky, put more contrast in the mid-tones of those buildings, or give those green colors more pop. The idea is that you use the luminosity (brightness) or color/saturation of the image to make selections. A much more powerful approach is a relatively new technique called "luminosity masking". Wouldn't it be great if there was a way to select specific pieces of the image to edit them? There is! Of course, you can manually select parts of the image with basic Photoshop masking tools like the magic wand, but those selections never really look right - they often leave telltale marks at the edges of the selections. When I look at the images right out of my camera, I often think "the sky was darker and more blue" or "the road in the foreground had more detail". One of the most incredible ways to improve your images is through a technique called "luminosity masking". Maybe your camera couldn't capture everything your eyes could see, or you want to extract more detail in Photoshop. If you're like me, you've taken a LOT of photographs that didn't quite live up to your memory of the moment.
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